Zarzuela and the Pastoral
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| Publicado en: | MLN vol. 123, no. 2 (Mar 2008), p. 252-273 |
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| Autor principal: | |
| Publicado: |
Johns Hopkins University Press
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| Acceso en línea: | Citation/Abstract Full Text Full Text - PDF |
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| 100 | 1 | |a Harney, Lucy D | |
| 245 | 1 | |a Zarzuela and the Pastoral | |
| 260 | |b Johns Hopkins University Press |c Mar 2008 | ||
| 513 | |a Journal Article | ||
| 520 | 3 | |a Spanish literary history offers many examples of pastoral: the framing locus amoenus of Berceo's Milagros; the Libro de buen amor's mock-pastoral serrana episodes; Fray Luis's Vida retirada; Garcilaso's melancholy swains Salicio and Nemoroso; Antonio de Guevara's witty and mordant contrast of court and village; Laurencia's elogy of country life in Lope's Fuenteovejuna; Jorge de Montemayor's recasting of Longus' Daphnis and Chloe (the basis of the plot of Shakespeare's The Two Gentlemen of Verona); Cervantes's Galatea; his Grisóstomo's unrequited love for Marcela, the eloquently reluctant shepherdess (Don Quijote I, xii-xiv); Góngora's dreamy and profound Soledades; his baroque reworking of Ovid in Polifemo y Galatea.1 Don Quijote's' Golden Age meditation, declaimed before uncomprehending goatherds (I, xi), rehearses several pastoral conventions. At what might be considered the opposite end of the socio-political spectrum, we find occasional hints of proletarian pastoral, as in the solidary disgruntlement of the street-vendors in Gigantes y cabezudos, who resist the municipality's repeated attempts to try to collect newly-escalated taxes.7 These several varieties of pastoral at work in the zarzuela repertoire contribute to the sometimes contradictory diversity of late-nineteenth century Spanish theater, a world characterized by David Gies as the "major site of self-examination and self-criticism" in the Spain of that era (The Theatre 441). | |
| 653 | |a Poetry | ||
| 653 | |a Urban areas | ||
| 653 | |a Natural products | ||
| 653 | |a Theater | ||
| 653 | |a Language history | ||
| 653 | |a Politics | ||
| 653 | |a Spanish language | ||
| 653 | |a 19th century | ||
| 653 | |a Meditation | ||
| 653 | |a Taxation | ||
| 653 | |a Vendors | ||
| 653 | |a Sadness | ||
| 653 | |a Selfexamination | ||
| 653 | |a Courts | ||
| 653 | |a Conventions | ||
| 653 | |a Selfcriticism | ||
| 653 | |a Literary history | ||
| 773 | 0 | |t MLN |g vol. 123, no. 2 (Mar 2008), p. 252-273 | |
| 786 | 0 | |d ProQuest |t Arts & Humanities Database | |
| 856 | 4 | 1 | |3 Citation/Abstract |u https://www.proquest.com/docview/223313451/abstract/embedded/7BTGNMKEMPT1V9Z2?source=fedsrch |
| 856 | 4 | 0 | |3 Full Text |u https://www.proquest.com/docview/223313451/fulltext/embedded/7BTGNMKEMPT1V9Z2?source=fedsrch |
| 856 | 4 | 0 | |3 Full Text - PDF |u https://www.proquest.com/docview/223313451/fulltextPDF/embedded/7BTGNMKEMPT1V9Z2?source=fedsrch |