High regard: The work of modernism in an age of celebrity

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Publicado en:ProQuest Dissertations and Theses (2001)
Autor principal: Jaffe, Aaron Daniel
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ProQuest Dissertations & Theses
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Acceso en línea:Citation/Abstract
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100 1 |a Jaffe, Aaron Daniel 
245 1 |a High regard: The work of modernism in an age of celebrity 
260 |b ProQuest Dissertations & Theses  |c 2001 
513 |a Dissertation/Thesis 
520 3 |a My dissertation examines the modes and mechanisms of modernist reputations. Its central issue is the paradox that literary modernists, while rejecting mass culture, tacitly utilized the machinery of mass celebrity and, through a variety of ad-hoc publicity techniques, created their own star system. Scrutinizing the “High Modernists” (T. S. Eliot, Wyndham Lewis, James Joyce, and Ezra Pound) in their two characteristic haunts—canonical masterpieces and literary apocrypha—it examines why, when, and how modernist visions and revisions of literary work, reputation, and prominence inflect the production of modernist texts, their politics, and literary history. My concern is neither modernist celebrities in pop culture nor celebrity sightings in modernist texts; instead, I account for two seemingly paradoxical, yet interrelated phenomena: the capacity of modernist texts to sustain an exclusionary notion of literary reputation, and the capacity of certain modernist careers to fix “masterpieces” in emerging economies of cultural prestige by calling upon a matrix of secondary literary labors. 
653 |a Literature 
653 |a British and Irish literature 
653 |a American literature 
653 |a Modern literature 
653 |a British & Irish literature 
773 0 |t ProQuest Dissertations and Theses  |g (2001) 
786 0 |d ProQuest  |t ProQuest Dissertations & Theses Global 
856 4 1 |3 Citation/Abstract  |u https://www.proquest.com/docview/275757803/abstract/embedded/6A8EOT78XXH2IG52?source=fedsrch 
856 4 0 |3 Full Text - PDF  |u https://www.proquest.com/docview/275757803/fulltextPDF/embedded/6A8EOT78XXH2IG52?source=fedsrch