THE VIDEO GAME CRITIC: PROFILE, PROFESSIONAL ROUTINES AND ROLES

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Publicado en:Revista de Comunicación de la SEECI vol. 58 (2025), p. 1
Autor principal: Gallardo-Agudo, Angel
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Revista de Comunicación de la SEECI (Sociedad Española de Estudios de la Comunicación Iberoamericana)
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100 1 |a Gallardo-Agudo, Angel  |u University of Malaga. Spain 
245 1 |a THE VIDEO GAME CRITIC: PROFILE, PROFESSIONAL ROUTINES AND ROLES 
260 |b Revista de Comunicación de la SEECI (Sociedad Española de Estudios de la Comunicación Iberoamericana)  |c 2025 
513 |a General Information 
520 3 |a Discussion and Conclusions: The video game critic is perceived as a professional with extensive knowledge beyond their field, following specific routines for crafting a review, from the gameplay phase to the writing process. A specialized journalist, in this sense, has extensive knowledge of his or her area of specialization and his or her specific sources, thus guaranteeing an adequate treatment of the message (Esteve, 1997). [...]there are endless studies on film criticism or literary criticism, but hardly any research has been done on video game criticism or the professional individual who practices it, despite the global turnover of the video game, its penetration in society and its growing presence in the media. According to Lopez-Redondo (2012), this phenomenon tends to be reproduced in specialized media, but not in the general press, which has a greater diversity of advertisers. 
651 4 |a Spain 
653 |a Journalism 
653 |a Mass media 
653 |a Computer & video games 
653 |a Writing processes 
653 |a Entertainment industry 
653 |a Magazines 
653 |a Literary criticism 
653 |a Specialization 
653 |a Critics 
653 |a Criticism 
773 0 |t Revista de Comunicación de la SEECI  |g vol. 58 (2025), p. 1 
786 0 |d ProQuest  |t Publicly Available Content Database 
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