Polyphonic Peace

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Publicado en:Communist and Post-Communist Studies vol. 58, no. 1 (Mar 2025), p. 173
Autor principal: Stock, Thomas
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University of California Press, Journals & Digital Publishing Division
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Acceso en línea:Citation/Abstract
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100 1 |a Stock, Thomas  |u Kookmin University, Seoul, South Korea 
245 1 |a Polyphonic Peace 
260 |b University of California Press, Journals & Digital Publishing Division  |c Mar 2025 
513 |a Journal Article 
520 3 |a Despite its monumental scale, the 1989 World Festival of Youth and Students in Pyongyang has received little scholarly attention. How did North Korea manage to entice thousands of foreign participants, including Christians and social democrats, and mitigate the potential negative ideological repercussions that could arise from such openness? Fortunately, the East German archives offer unprecedented insights into festival preparations, ideological strategies, and conflicts, given East Germany’s pivotal supportive role in North Korea’s hosting endeavors. Drawing extensively from these materials, this study proposes that in order to successfully host the festival North Korea embraced and adopted a polyphonic strategy, deeply rooted in Soviet practices, that revolved around the concept of peace. This strategy featured an externally oriented overtone directed at foreign youth and, concurrently, an inwardly focused, theoretical undertone that aimed to validate the communist leadership and promote the universality of the state ideology. 
651 4 |a North Korea 
651 4 |a Union of Soviet Socialist Republics--USSR 
651 4 |a South Korea 
653 |a Cold War 
653 |a Imperialism 
653 |a Ideology 
653 |a Peace 
653 |a Trends 
653 |a Polyphony 
653 |a Openness 
653 |a Youth organizations 
653 |a Leadership 
653 |a Propaganda 
653 |a Christians 
653 |a Communism 
653 |a Youth 
653 |a Festivals 
773 0 |t Communist and Post-Communist Studies  |g vol. 58, no. 1 (Mar 2025), p. 173 
786 0 |d ProQuest  |t Political Science Database 
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