Зображення обкладинки

Steve Moshier's “Shadows from the Underworld”: A piano work that reflects a post-minimalist sensibility

Збережено в:
Опубліковано в::ProQuest Dissertations and Theses (2010)
Автор: Law, Cynthia F.
Опубліковано:
ProQuest Dissertations & Theses
Предмети:
Music
Онлайн доступ:Citation/Abstract
Full Text - PDF
Теги: Додати тег
Немає тегів, Будьте першим, хто поставить тег для цього запису!

MARC

LEADER 00000nab a2200000uu 4500
001 865356398
003 UK-CbPIL
020 |a 978-1-124-60994-2 
035 |a 865356398 
045 0 |b d20100101 
084 |a 66569  |2 nlm 
100 1 |a Law, Cynthia F. 
245 1 |a Steve Moshier's “Shadows from the Underworld”: A piano work that reflects a post-minimalist sensibility 
260 |b ProQuest Dissertations & Theses  |c 2010 
513 |a Dissertation/Thesis 
520 3 |a Minimalism emerged as a historical musical phenomenon in the 1960s in America. Its pioneers, La Monte Young, Terry Riley, Steve Reich, and Philip Glass, exerted a tremendous influence on compositional technique for the subsequent generation of composers. Begun in the 1980s and continuing through the 1990s to the present, the music by these subsequent generations is known as post-minimalism. This document begins with a brief history of minimalism and post-minimalism and then examines how Steve Moshier's Shadows from the Underworld , written in 1997, contains characteristics of post-minimalism. Through an analysis of the work and detailed descriptions of its sections, this paper explains the various post-minimal techniques and how Moshier used them to create his sixteen-minute work. 
653 |a Music 
773 0 |t ProQuest Dissertations and Theses  |g (2010) 
786 0 |d ProQuest  |t Publicly Available Content Database 
856 4 1 |3 Citation/Abstract  |u https://www.proquest.com/docview/865356398/abstract/embedded/7BTGNMKEMPT1V9Z2?source=fedsrch 
856 4 0 |3 Full Text - PDF  |u https://www.proquest.com/docview/865356398/fulltextPDF/embedded/7BTGNMKEMPT1V9Z2?source=fedsrch