The construction of early modernity in Spanish film

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Veröffentlicht in:ProQuest Dissertations and Theses (2011)
1. Verfasser: Zarate Casanova, Miguel Angel
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ProQuest Dissertations & Theses
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020 |a 978-1-267-03530-1 
035 |a 909034668 
045 0 |b d20110101 
084 |a 66569  |2 nlm 
100 1 |a Zarate Casanova, Miguel Angel 
245 1 |a The construction of early modernity in Spanish film 
260 |b ProQuest Dissertations & Theses  |c 2011 
513 |a Dissertation/Thesis 
520 3 |a The presence of early modern Spanish history in Spanish film has received only limited scholarly attention. The entire group of Spanish films dealing with the Spanish early modern era has never been placed under study by any overarching research. This dissertation reframes the evolution of the cinematographic representation of the Spanish past as it studies the mechanisms employed by Spanish films in representing an essential part of Spanish past: early modernity. Studied are 19 period films that group themselves around some of most representative subjects in early modernity: the Monarchy and Nobility, and the Spanish Inquisition. Studied also is the most expensive Spanish period film, Alatriste (2006). Through the analysis of artistic, industrial, historiographical, and political elements, and the deconstruction of the historical message of each film, as well as the analysis of their reception, it is clear that Spanish period films set in early modernity tell us as much about the time of their making and the shaping of the historical consciousness of Spain as they do about the era that they represent on screen. 
653 |a Art history 
653 |a Modern history 
653 |a Film studies 
773 0 |t ProQuest Dissertations and Theses  |g (2011) 
786 0 |d ProQuest  |t ProQuest Dissertations & Theses Global 
856 4 1 |3 Citation/Abstract  |u https://www.proquest.com/docview/909034668/abstract/embedded/6A8EOT78XXH2IG52?source=fedsrch 
856 4 0 |3 Full Text - PDF  |u https://www.proquest.com/docview/909034668/fulltextPDF/embedded/6A8EOT78XXH2IG52?source=fedsrch